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See You Again Percussion
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You've selected:
See You Again Percussion
Sheetmusic to print
27 sheet music found
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1
26
When Can I See You Again? - Score Only
When Can I See You Again? - Score Only
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Owl City
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Caden Meliska
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When Can I See You Again? - Sc
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Caden Meliska
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1410474 By Owl City. By Adam Young, Brian Lee, and Matthew Thiessen. Arranged by Caden Meliska. 21st Century,Chi...
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Percussion Ensemble - Level 2 - SKU: A0.1410474 By Owl City. By Adam Young, Brian Lee, and Matthew Thiessen. Arranged by Caden Meliska. 21st Century,Children,Film/TV,Pop,Video Game. 16 pages. Caden Meliska #992891. Published by Caden Meliska (A0.1410474). Percussion Ensemble Piece for Owl City and Wreck-it-Ralphs credit song, When Can I See You Again.
$6.00 ≈
5.60€
See You Again from FURIOUS 7
See You Again from FURIOUS 7
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Choral SATB
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INTERMEDIATE/ADVANCED
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Wiz Khalifa Feat
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Bryan Sharpe
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See You Again from FURIOUS 7
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Bryan Sharpe
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.725538 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Frank...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.725538 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Bryan Sharpe. A Cappella,Pop. 20 pages. Bryan Sharpe (BSharpe Music) #3558507. Published by Bryan Sharpe (BSharpe Music) (A0.725538). Contemporary a cappella arrangement of SEE YOU AGAIN by Charlie Puth and Wiz Khalifa for Solo + SSATBB and optional vocal percussion.
$2.50 ≈
2.33€
See You Again from FURIOUS 7
See You Again from FURIOUS 7
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Choral 3-part
#
EASY
#
Wiz Khalifa Feat
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Bryan Sharpe
#
See You Again from FURIOUS 7
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Bryan Sharpe
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.725539 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.725539 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Bryan Sharpe. A Cappella,Pop. 13 pages. Bryan Sharpe (BSharpe Music) #3558509. Published by Bryan Sharpe (BSharpe Music) (A0.725539). Contemporary a cappella arrangement of SEE YOU AGAIN by Charlie Puth and Wiz Khalifa for Solo + SS(A)T and optional vocal percussion.
$2.50 ≈
2.33€
See You Again from FURIOUS 7
See You Again from FURIOUS 7
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Percussion Ensemble
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INTERMEDIATE
#
Pop music
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Wiz Khalifa Feat
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Stephen Lawhorne
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See You Again from FURIOUS 7
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StevoPanMan
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1016554 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arr...
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Percussion Ensemble - Level 3 - SKU: A0.1016554 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Stephen Lawhorne. Pop. Score and parts. 35 pages. StevoPanMan #5803003. Published by StevoPanMan (A0.1016554). A medium steel band arrangement of this popular song. This was arranged for our virtual steel band when our schools were abruptly closed for the year in March 2020. The YouTube link from that is below. Arranged for: Lead 1, Lead 2, Doubles 1, Doubles 2, Guitar/Cello, Bass Pans, Electric Bass and Drum Set. One additional parts included: TAB electric bass.
$25.00 ≈
23.33€
See You Again - Percussion 2
See You Again - Percussion 2
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Percussion (band part)
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EASY
#
Rock
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Wiz Khalifa feat
#
Johnnie Vinson
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See You Again - Percussion 2
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Hal Leonard - Digital
#
SheetMusicPlus
Level 2 - SKU: HX.406660 By Wiz Khalifa feat. Charlie Puth. Arranged by Johnnie Vinson. This edition: scorch. Pop,Rock. 1 pages. Hal Leonard - Digital #...
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Level 2 - SKU: HX.406660 By Wiz Khalifa feat. Charlie Puth. Arranged by Johnnie Vinson. This edition: scorch. Pop,Rock. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.406660).
$6.00 ≈
5.60€
See You Again - Percussion 1
See You Again - Percussion 1
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Percussion (band part)
#
EASY
#
Rock
#
Wiz Khalifa feat
#
Johnnie Vinson
#
See You Again - Percussion 1
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 2 - SKU: HX.406659 By Wiz Khalifa feat. Charlie Puth. Arranged by Johnnie Vinson. This edition: scorch. Pop,Rock. 1 pages. Hal Leonard - Digital #...
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Level 2 - SKU: HX.406659 By Wiz Khalifa feat. Charlie Puth. Arranged by Johnnie Vinson. This edition: scorch. Pop,Rock. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.406659).
$6.00 ≈
5.60€
See You Again
See You Again
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Choral SATB
#
INTERMEDIATE
#
Wiz Khalifa Feat
#
Tim Chang
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See You Again
#
Tim Chang
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1099222 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arr...
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Choral Choir (SATB) - Level 3 - SKU: A0.1099222 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Tim Chang. A Cappella,Contemporary,Hip-Hop,Pop,R & B. Octavo. 15 pages. Tim Chang #703098. Published by Tim Chang (A0.1099222). This is an SATB choral a cappella arrangement, appropriate for intermediate-level groups such as senior school choirs and community vocal ensembles. Features body percussion (finger snaps, claps and foot stamps) and multiple opportunities for soloists.
$1.99 ≈
1.86€
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Donut Etudes vol. 3: Donât Step in the Holes! â Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
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INTERMEDIATE
#
Instructional
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Joshua Hauser
#
 
#
Donut Etudes vol. 3: Donâ
#
Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.67€
See You Again - Mallet Percussion
See You Again - Mallet Percussion
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Concert band
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EASY
#
Rock
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Wiz Khalifa feat
#
Johnnie Vinson
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See You Again - Mallet Percuss
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Hal Leonard - Digital
#
SheetMusicPlus
Level 2 - SKU: HX.406661 By Wiz Khalifa feat. Charlie Puth. Arranged by Johnnie Vinson. This edition: scorch. Pop,Rock. 1 pages. Hal Leonard - Digital #...
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Level 2 - SKU: HX.406661 By Wiz Khalifa feat. Charlie Puth. Arranged by Johnnie Vinson. This edition: scorch. Pop,Rock. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.406661).
$6.00 ≈
5.60€
See You Again (from Furious 7) (arr. John Berry) - Aux Percussion
See You Again (from Furious 7) (arr. John Berry) - Aux Percussion
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Jazz Ensemble
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EASY
#
Charlie Puth and Wiz Khalifa
#
John Berry
#
See You Again
#
Hal Leonard - Digital
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: HX.480661 By Charlie Puth and Wiz Khalifa. Arranged by John Berry. This edition: scorch. Film/TV,Pop. 1 pag...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: HX.480661 By Charlie Puth and Wiz Khalifa. Arranged by John Berry. This edition: scorch. Film/TV,Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.480661).
$6.00 ≈
5.60€
See You Again - Percussion
See You Again - Percussion
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Percussion (band part)
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Film/TV
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Wiz Khalifa feat
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Larry Moore
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See You Again - Percussion
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Wiz Khalifa feat. Charlie Puth. Arranged by Larry Moore. Film/TV, Pop. ORC. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.331240). - ORC - Film...
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By Wiz Khalifa feat. Charlie Puth. Arranged by Larry Moore. Film/TV, Pop. ORC. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.331240). - ORC - Film/TV,Pop - Hal Leonard - Digital Sheet Music
$7.00 ≈
6.53€
See You Again Indoor Drumline Show
See You Again Indoor Drumline Show
Piano Solo,Drums,Marimba,Vibraphone,Xylophone,Drum Set,Percussion Ensemble,Marching Drum Line,Guitar,Bass Guitar
#
David Moraga Jr
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See You Again Indoor Drumline
#
David Moraga Jr.
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SheetMusicPlus
Arranged by David Moraga Jr. Individual Part, Score. 29 pages. Published by David Moraga Jr. (S0.294751). - Individual Part,Score - - David Moraga Jr....
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Arranged by David Moraga Jr. Individual Part, Score. 29 pages. Published by David Moraga Jr. (S0.294751). - Individual Part,Score - - David Moraga Jr.
$19.99 ≈
18.66€
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
26.13€
Obelisk: A Tribute to Ukraine
Obelisk: A Tribute to Ukraine
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Eugene Astapov
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Obelisk: A Tribute to Ukraine
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EAMUSIC
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SheetMusicPlus
B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - SKU: A0.1283414 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 49 pages....
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B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - SKU: A0.1283414 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 49 pages. EAMUSIC #874599. Published by EAMUSIC (A0.1283414). Obelisk is a work that was built as a response to the atrocious events happening in the war between Russia and Ukraine. As a composer who was born in Ukraine, I felt very deeply for the hardships of the people of my country and this work is a direct emotional response to the images I see and stories I hear. The central part of the work features pre-recorded interviews with some of the Ukrainian civilians telling their harrowing stories of loss, struggles, and fight for survival. When I was a child, my parents made the difficult decision to leave the country due to the beginning of another war Russia’s Putin started in Chechnya and my parents knew - one day he would be coming for Ukraine. As someone who immigrated to Canada at a young age, I experienced all the difficulties associated with finding new life in a new country. I saw the struggles of my parents and now I see the struggles being experienced by people fleeing Ukraine. Throughout the work you will hear the sonic accompaniment to the pain and suffering that Ukrainians undergo on daily basis, you will hear their voices and see images of the brutality committed against the people of Ukraine. This is a heavy work to experience, but as an artist I feel it is only appropriate to raise awareness around the issue and show the people the horrors going on in the world. The title of the work was inspired by the famous monument erected in 2001 to mark the occasion of the 10thanniversary of Ukraine’s Independence from the Soviet Union. At that point it appropriately replaced the monument of Vladimir Lenin. Towering on top of Kyiv’s Independence Square (famously known as Maidan) at 200 feet, this obelisk celebrates the nature of the Ukrainian independent spirit and directly reflects my ideas through this musical composition with the hope that the powerful Ukrainian nation will prevail over its enemy once again. This PDF includes Score and Parts.
$50.00 ≈
46.67€
Concerto for Concert Band (2011) full score
Concerto for Concert Band (2011) full score
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Concert band
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pa...
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Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99 ≈
9.32€
Higher Ground
Higher Ground
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Dan Goeller
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Frederick Umar
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Higher Ground
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Imagine Music - Digital
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SheetMusicPlus
Wind Ensemble - SKU: IZ.WES151-S Composed by Dan Goeller. Arranged by Frederick Umar. Score. 15 pages. Imagine Music - Digital #WES151-S. Published by I...
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Wind Ensemble - SKU: IZ.WES151-S Composed by Dan Goeller. Arranged by Frederick Umar. Score. 15 pages. Imagine Music - Digital #WES151-S. Published by Imagine Music - Digital (IZ.WES151-S). 9 x 12 in inches.In accepting this commission, my thoughts were to create a work that incorporated the rich history of Chautauqua and its pure, innocent, ruralAmericana experience. Seeing its heritage was grounded in a nondenominational understanding of God, which incorporated both secular andspiritual experience, it seemed fitting to arrange a work that bound these two ideals into one work. The arrangement opens with a stately expressionof valor, dignity, and innocence lost - developing gently through a series of tonal and textural adaptations of the hymn tune until it finds a stately tuttiexpression for the ensemble. But the end is delayed by the arrival of a false cadence at rehearsal D, which embraces a 'river dance' with a variety ofpercussive features. The idea here is one of 'beauty from ashes' and 'joy coming in the new mornings dew.' The reeds are now used to express thebagpipe above the thrusts of the percussion. Soon, the hymn tune is heard again, supported by the rhythmic dance in reeds, brass, and percussion -now filled with the joy of community participation. Each counter-melodic line is somewhat of a statement now - and, must be heard in itsuniqueness. It is as if the birds have begun to sing again, each in their own language, of the wonderment surrounding the new day. Hope has onceagain sprung upon the community through music.Take your time through the reminiscent, Americana moments, and enjoy the dance thoroughly!
$15.00 ≈
14.00€
They Came Here to Dance (Swing Band Arrangement)
They Came Here to Dance (Swing Band Arrangement)
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00 ≈
7.47€
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
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Violin
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Tito Abeleda
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Violin 1, 2, 3
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
$2.99 ≈
2.79€
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99 ≈
41.99€
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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String Orchestra
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99 ≈
2.79€
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